
Image : http://www.flickr.com
Neo-Dada – The Concept
Neo-Dada is the name for the mid-20th Century, 1958, just his artistic movement, including the visual arts, literature, theater, and graphic design, art was similar to the earlier Dada. This kind challenged the concept of "aesthetics art in the context of traditional form and expands the boundaries of the category of art.
History
In 1960, American art historian and criticBarbara Rose (born 1938) helps to strengthen the concept of "neo-Dada." That same year, the American art critic Irving Sandler (born 1925) explains the term other than "a fashion avant-garde. Two years later, when Neo Dada was the most popular and talked about art movement. An alternative name "Junk Culture" Claes was the face of English art critic Lawrence Alloway (1926-1990) and to describe the works of American artists like Robert Rauschenberg (1925-2008)Oldenburg (born 1929).
Details
In art, media other than painting, such as performance, dance, film, installation art and neo-Dadaists used his body as the base. Also disturbing or threatening not to discourage the provision of destruction, violence and aggression.
Correlations
Neo-Dada works include those issued between Abstract Expressionism and Pop Art Works of art for everyday life, philosophy, visual themes and / orSpirituality, with particular attention to the presentation of positivity and optimism in life. This art form has inspired people notice the end of Abstract Expressionism (origin 1950) rule, and spread like other similar movements, such as Assemblage Art (original 1950), Pop Art (originally the end of 1950), Nouveau Realism (origin 1960) (Source 1957), Junk Art (home of 1960), and Fluxus (origin 1960), acquired motion events. Neo-Dada formally concluded in1962
Artists
In 1958, the first row of the artists have been called neo-Dadaists. There were American artist Jasper Johns (born 1930), Robert Rauschenber and Allan Kaprow (1927-2006). Marcel Duchamp (French – 1887-1968) and Kurt Schwitters (German – 1887-1948) are considered the most powerful influences on the Neo-Dada. The versatile Robert Rauschenberg delivered exemplary works of law from painting to collage performance. Hadcalled the perspective of modernist paintings, sculpture and art as a spiritual journey and believe that there is no limit to creativity. He felt that life was open to art. With its revolutionary approach and a lack of interest in art style, formal art critics hated him.
Some other artists including Nam June Paik (Korean-American – 1932-2006), Joseph Beuys (Germany – 1921 to 1986), Yoko Ono (Japanese-American – born 1933), Yves Klein (France – 1928-1962)Jean Follett, Edward (U.S. – 1927-1994) and Nancy Reddin Kienholz (American – born in 1943) and Jim Dine (American – born in 1935).
Recently Neo Dada Divo term has been used to refer to an international group of artists art Croesus Marcus Foundation, run by. In 2002 he assumed the origin of Dada, Cabaret Voltaire, Zurich. They showed their work there, and March 2, 2002 have been displaced.








